Wednesday, 28 August 2013

DJ Skirt - Tumulto (Shifted Remix)




Another huge Shifted remix, this time he’s remixing DJ Skirt’s track Tumulto on Semantica.  Semantic is one of my favourite labels and one that any techno DJ/fan should accustom themselves with.  Known for releasing high quality contemporary techno from new and established artists.

It’s all about the sub bass and the rhythmic highs on this remix – I really love the atmosphere that this track creates.

Monday, 26 August 2013

Wax Works at CryptiQ (Prisoner of War camp)




This weekend signals the end of the summer months and for the very last party we’re travelling to Perth, to play at one of the most interesting venues in the country for one of the most original promoters, CryptiQ.

Located about an hour’s drive from Glasgow, Scotland’s own Prisoner of War camp will be hosting a selection of Glasgow’s house and techno DJs this Saturday.  The venue will be set up with 2 stages and a fully licensed bar with your ticket covering the bus to the venue and back again.

Tickets are £25.



You only need to check the photos of the venue to see that this is not one to be missed and it will certainly live long in the memory of everyone who’s there.  We play for 2 hours on Saturday night, so if you’re reading this, I hope to see you there for it.

Just in case you still need some convincing, here’s a video from our last gig at Chambre69 earlier this year.






Full line up

Hut 1

Junior (Sensu)
Ivan Kutz (Platform 18)
Missing Persons Club
Jonathan Carroll (No sleep)

Hut 2

Quail (Animal Farm)
Wax Works
Andy Barton (Headway)
Stu Johnston & Mark Dickov
John Gallagher (Tantric)

6pm – late


Thursday, 22 August 2013

Klockworks 10 - Etapp Kyle





The latest and 10th record from Ben Klock’s Klockworks imprint comes from the up and coming Ukranian producer Etapp Kyle, who delivers 4 tracks of really high quality.

The 4 tracks all share a similar aesthetic and are a perfect example for high quality, contemporary minimal techno.

‘Astra’ kicks off the EP with a track which immediately made me think of Jeff Mills’ Something In The Sky series, a cool melody carries the track, whilst the drum patterns subtlety change and drift in and out keeping you locked to its groove.  ‘Drama’ has a darker vibe and picks up the pace a bit; the main hook is another simple loop that alters slightly after 16 bars, before the drums change.  It’s not complex stuff, but it makes for a very effective track and my 2nd favourite from the record.

B1 ‘Aurora’ is my favourite from the EP and the real standout track. I think that it sounds like something in between artists like Recondite and DVS1.  Breaths of white noise that make way for shuffling hi-hats set the tone early, but as the track develops everything but the melody makes way for almost trance like elements that change the tone (I think it’s cool, but I’d love to have a version that’s just the main loop).  When the beat drops back in it brings the energy.  For me, this is one to be playing near the end of a pretty magical set.

‘Prizma’, the last track, is a pretty cool track, but it’s probably the weakest of the EP for me.  However, that being said, I really love Etapp Kyle’s style on this record and the m_nus track ‘Yuma’.  They are far more distinct than his earlier, more atmospheric productions, but whether that is a change of direction or simply the influence of the labels remains to be seen.

Wax Works meet Ø [Phase]




Ahead of our night on the 7th of September at Stereo, we caught up with Phase to get a brief insight into the man behind the alias.  Make sure to check out his latest EP and the mix at the bottom of the page.

If we go back, right to your first release on Steve Bicknell’s Cosmic Records 13 years ago, can you tell us how that came about? 

I used to go to pretty much all the Lost parties and loved the output from their label. I sent Steve an acetate with 4 tracks on in the hope he might like them and received a phone call a week or so later. Of the 4 he really liked Module Overload (the track the subsequently became the a-side of COS024), the two b-side tracks came later. 

I take it at this time making music was something you were doing, whilst working as a mastering engineer, but this has changed since, what was behind your change in focus?

To be honest, there's a lot of reasons; one was that the music industry went through drastic changes and the big studio where I was based had to close, it was at that point that I started to shift away from full time mastering and focus on production. It's still an interest for me but my true passion has always been the DJ production side.

As a DJ, you’ve been fortunate enough to play in countries all across the world, what clubs have left the biggest impression and where do you love to play?

My most memorable parties are often the one-offs where the promoters have transformed a warehouse space especially for that night. I played such a party for Karbon in Stockholm last new years eve; really good fun.
And a cliche perhaps, but Berghain Berlin always leaves a lasting impression. I think the strict door policy makes a huge difference. As a performer you always know that you're in front of a crowd that's that bit more pure and genuinely interested in what they're hearing.

What has changed for you since the success of Binary Opposition and did the idea for the album come off the back of this?

It's helped me connect with new people mostly, which is always nice and no doubt contributed to some remix commisions this year. The album, I've intended doing for a long while. The tracks draw upon ideas going back to various points over the last 12 years or so. 

Token Records has been your home label since 2007 and an important part of your career so far, how would you describe your relationship with the label and what part has it played in your development as an artist?

Since meeting, Kris & I have become great friends so where my releases are concerned we have a very close relationship and discuss things in great detail. We both have a firm belief in long term development and this has definitely been instrumental in shaping my musical path over the last 6 years. 

When is the album due out and what do you have planned for the future?

The album is due out in October and will be followed up with some very special remixes. I will be gigging around that and aim to do some more remixing myself where possible. 


Frames of Reference, the debut LP from Ø [Phase] is due out on the 21st of October this year.
The latest EP "On The Edge" is currently available in record shops.

Ø [Phase] plays at Stereo on 7th September, entry is £5 and doors open at 11pm.


TRACKS:
1. Stanislav Tolkachev - Building Peaks
2. Shifted - Gates
3. Steven Brown - Polar
4. Martin H & Samuel L Sessions - The Leap
5. Marcel Dettmann - Bleep 5
6. Ø [Phase] - Behind The Sun
7. Forward Strategy Group - Applied Generics
8. Ads - Transversal
9. Ø [Phase] - The Chasedown
10. Dax J & G Wild - Revok (Ø [Phase] Remix)
11. Truncate - Pad Mode
12. B & R - Afterlife
13. Psyk - RDNM
14. John Thomas - Psycho Groove
15. Developer & Truncate - Diffraction (Jonas Kopp Remix)
16. Ø [Phase] - Binary Opposition (Process 1)
17. P.A.S. - Sucktion
18. Robert Hood - A Time To Rebuild
19. Steve Bicknell - Lost Recordings 5 (B1)
20. DVS1 - Evolve
21. Developer - Dirty Drive ('Shifted' Remix)
22. Chris Page - Decoy (Blawan Remix)
23. Ø [Phase] - [Unreleased]

Wednesday, 21 August 2013

Phase - Smoke Machine Podcast



This is an absolutely storming mix from Phase for the Smoke Machine podcast and it’s definitely worth downloading if you missed it first time around.  We have him playing in Stereo on the 7th September and this mix should give you a good idea of what to expect.

Starting off with Sigha’s interpretation of Binary Process, it’s not long before you’re 3 or 4 tracks deep and things only pick up from there.  Featuring a wealth of his own productions there’s rarely a down moment. A mix which is pretty much relentless all of the way through and if you’re a fan of contemporary techno, this should give you more than enough reasons to be there next month.



Mike Parker - Mnajdra (Shifted Remix)




Shifted’s work rate is pretty mental and it can be hard to keep up at times.  It’s staggering then, that the quality of his output rarely drops and with a second album on the way, he shows no signs of letting up.

His remix of Mike Parker is my pick from an essential Geophone release.

Donato Dozzy - Giusy




This is one of my favourite Dozzy tracks and a record that rarely leaves my bag.  Criminally underplayed in my opinion and I guess due to its apparent lack of popularity here, it makes it a bit of a secret weapon.